Artists might also be regarded as purveyors of real values -- Wolf Kahn
Last year I was walking through arguably the world's most beautiful airport when my eye was drawn to a box of cards containing the work of artist Wolf Kahn. What he did with color and trees was arresting, so I bought the box. This week I picked up his book titled 'Pastels." Pages of great impressionist images that are like lightning and snow, exciting and peaceful. Wolf's words are as captivating as his art. What follows are some of his thoughts on the the value of one's work.
"The “Real Value” of One's Work
Every inhabitant of a developed country lives in a world of too many things and, unless he is very poor, or ascetic to the point of saintliness, he is encumbered by this surplus of objects. We know that these things, rather than simplifying our existence, often tend to complicate our lives. They need space, repair, storage, and eventual transfer to others. Anyone engaged in the manufacture, sale, and maintenance of things shares the guilt. Nearly all of us are part of the problem; only the purveyors of ideas are exempt. As artists, we inhabit both the world of ideas and the world of things. A picture can be regarded as just another object, another piece of junk (and, regrettably, often an expensive piece of junk, requiring special care). The artist, seen under this light, is a manufacturer of luxury items on which people spend their disposable income. It is as though he were running a jewelry store, or at best, an upscale winery.
Artists might also be regarded as purveyors of real values, which is, of course, how I prefer to view them. However, real values are not satisfied if an artist merely makes something that someone else likes, or even if the art object stretches the public’s awareness, or, as so much of present avant-garde art wishes to do, if it stretches the function of art to enlarge the sphere of permissible expression, whether of general issues, or sex, or politics. The practice of art should have an effect not only on the public, but even more importantly, on the artist himself, by enlarging his sphere of freedom. Once this is understood and becomes a profound part of artistic practice, the problem of being a mere manufacturer of expensive objects disappears; pictures are justifiable because they are steps in their maker’s artistic development. Each picture is valuable only insofar as it contributes to this development, because it enables the artist to go on in a freer, larger way to his next picture."
I love the blending of art, work, freedom and the growth of an individual. Art and work are both inseparable and interchangeable. Inseparable because an artist's work has real value when it comes from within and touches or "affects" others. Kahn says it expands the artist's "freedom in a larger way" to go on. Interchangeable because work whether artistic or simply labor that comes from within also affects the worker as well as others, often producing "things" of real value.
The workers efforts become his art. Work and art, art and work, inseparable and interchangeable, both capable of enlarging a person's freedom.
So thank you, Wolf Kahn, for making me ponder art and work and work and art. And since today is the last day of October - what better way to end the month than with your pastel titled "October Splendor?"